Selects hands off to DaVinci Resolve as a .drp file, which is Resolve's own project format. Your cuts, track layout, and labels come across, and your original media is never modified.
Hand off to Resolve
Open the timeline you want to work from.
Open the handoff menu in the top right and choose [DaVinci Resolve] under [Handoff to].
Choose your settings in the Handoff to DaVinci Resolve dialog, then click [Handoff].
When Handoff is ready appears, click [Open folder] to find the .drp file.
Note: Every draft in your project is included in the handoff, not just the one you are looking at. See Hand off to your NLE.
Handoff settings
Two settings sit at the top of the dialog:
Nest multi-cam: when this is on, your camera angles are nested into a single sequence. When it is off, each camera arrives on its own track so you can switch angles freely in Resolve.
Include captions: adds your transcript to the exported timeline as captions.
Click [More settings] for the rest:
Topic titles: choose [As markers], [As captions], or [Off].
Add gaps between topics: leaves a gap between each topic in the exported timeline.
Include muted audio tracks: brings your muted tracks across alongside the audible ones.
Selects remembers these settings, so your next handoff starts from whatever you chose last time.
Import into Resolve
A .drp is a project file rather than a timeline, so it comes in through the Project Manager rather than the import menu.
Open DaVinci Resolve and go to the Project Manager.
Right-click in the project list and choose [Import Project].
Select the .drp file Selects created.
Resolve opens the project with your timelines ready to work on.
FAQs
My RED proxy clips show "Media Offline" in DaVinci Resolve. What is going on?
This is not a Selects issue. It is a quirk in how DaVinci Resolve handles folder names.
Resolve looks at the folder your proxy files are stored in. If that folder name ends in .RDC, Resolve assumes it is a RED camera RAW folder and starts looking for .R3D files instead of your actual .mov proxies. Those .R3D files do not exist, so you get Media Offline. Selects is exporting the correct file path, and Resolve is overriding it based on the folder name alone.
To fix it, rename the parent folder to remove .RDC from the end:
Before: …/filename.RDC/filename_proxies.mov
After: …/filename/filename_proxies.mov
Then re-import the footage in Selects, sync, and hand off to Resolve again. Your clips will link up normally.
Cameras like the Canon R5C store proxies in folders without the .RDC extension, so Resolve does not misidentify them. The issue only happens when the folder name ends in .RDC.
Can I use proxy files with Resolve?
Yes. Generate proxies or optimized media in Resolve, import only the proxy folder into Selects, then relink to your original camera files after you import the .drp back into Resolve. See Using proxy files in Selects.
Can I choose which drafts to hand off?
No. Every draft in the project is included automatically. If you only want one, hand off as normal and delete the timelines you do not need in Resolve.